Aside from my own post on production designer William Arnold, and his aesthetic of "no-places" in Punch-Drunk Love (see below), we were joined by two other participants for Day One of the Production Design Blog-A-Thon.
First up:
"The Colors of Star Wars," at Gee Bobg: "There is almost no color in Star Wars," Bob writes, "except when lasers are firing, lightsabers are clashing, and spaceships are exploding."
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Bob is followed up by Jaime, writing on "Le Samourai," at Chicago Ex-Patriate: "Virtually every other scene shows that [Melville's protagonist] lives in a modern world, yet maintains an old-fashioned simplicity in his own world."
Thanks to both of these participants; and hopefully there will be more to come tomorrow and over the other remaining days...
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