production design blog-a-thon: day two

Two more participants in the Production Design Blog-A-Thon!

First, we're joined by Gina R., of Project Film School, who observes, in her piece on "Meditations on Color, Light and Object in Rainer Werner Fassbinder's Lola", how "the visual clues in Lola are more indicative of Fassbinder's point than perhaps the actual outcome."

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And of course there's Film Club co-founder Harvey P., who in his piece "Real Estates" (at Skunkcabbage) appreciates Bo Welch's production design on Beetlejuice as a way to "visually represent what is at stake in the narrative's conflict":

Thanks to you both, and hopefully there will be more still more posts tomorrow...